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Thursday 29 December 2011

precious. little

























"By now, dystopian fiction has been served up just about every way possible. To my knowledge, one of the few ways it hasn’t been attempted — or, at least, well executed — is in the realm of minimalism. That brings us to The Curfew, the third novel by Jesse Ball, a writer who in the past few years has carved out a quite visible and enviable place for himself as an experimental fiction writer, and as a poet and artist. [...]
     Ball has a certain rep: an author who writes his books in two to three weeks and hangs manuscript pages around him during the writing process. The publisher of his novels, Vintage, plays this up, including in press materials claims such as that Ball meditates in silence for weeks before beginning a book. To his credit, when asked about these things in interviews, Ball tends to downplay them, although he does admit to writing his books in a matter of weeks and occasional novellas in one sitting, and he claims that what is published is essentially a first draft. This may make for a pleasing visual image of a young, successful author, but it does not often make for good literature. The only writers that I’ve found who have done any good with a strict 'no revisions' method of composition — César Aira and Javier Marías — are lucky to write a page in a day. Even with Aira’s notably sleek, hundred-page books, that would be months of writing. [...]
     In a climate where bookstores are leaning more on past sales as indicators and granting books less and less shelf time, an author with a marketable persona and quick, easy books is bound to appeal. Ball would seem to be ideal: his books are short and easy to produce, they sell well, and he tends to get lots of media attention and friendly reviews. In interviews Ball has repeatedly claimed to have a suitcase full of manuscripts just waiting to be published. I have no doubt that The Curfew will do well enough for Vintage and that Ball will open his suitcase for them again, and perhaps other publishers as well."
— Scott Esposito, Los Angeles Review of Books
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